Coming Soon – Cathedral Ceilings

We are beyond stoked to let you know about our newest band: *Cathedral Ceilings*.

All three of these guys would bristle at the term “New Jersey punk supergroup,” so we’ll just tell you who they are: Ralph from Stuyvesant on guitar and vocals, Nick from Overlake/Mr. Payday on drums, and Tom from Mr. Payday on bass. They got together with the idea of jamming as a side project, and pretty soon they were blasting out lightning-fast songs filled with power and singalong hooks. As their bio says, “Fueled by Ralphie’s infinite trove of riffs and melodies (and more beer), the songwriting was easy, free, and joyous. Like being teens in a band again, and the songs came just as quick.”

The songs are beastly blasts of bombastic bubblegum, fast and anthemic songs sometimes conceived, written and finished right there in the band’s rehearsal studio in one sitting. You can hear the enthusiasm in the playing, these NJ punk vets playing like it was their first band. It’s as much fun as anything we’ve ever put out.

We’ll be releasing _Thanks For the Guitar, Mommy_, the band’s first single, on limited-edition lathe-cut 7″ as well as all digital formats. The release date is October 23 but we’ll open it up for preorders this week, watch this space for more details.

The Village Sun writes about “Garden Variety Fuckers”

Thanks to John Pietaro of _The Village Sun_ for his kind review of _Garden Variety Fuckers_:

“_Hall, thriving on his acerbic humor, length of social activism and considerable gift of verse, steps further into the performance-art tradition here, conjuring a working-class hero/antihero for all time.

Erupting continuously with emotive phrases that the FCC has never forgiven, Hall reels the listener in just as the repulsion fades.”

Read the entire review “here”:https://thevillagesun.com/john-s-hall-is-back-in-a-new-trio?fbclid=IwAR2JR3puqGe4s8MMLD4PJcRAA1JYICzdekNB9rX5jRlQ8s3ctRK15p0gAHs

MAGNET premieres “Owls”

Thanks to *Magnet Magazine* for premiering “Owls,” the latest video from *You, Me, and This Fuckin’ Guy*, directed by Steve Hanft (Beck, The Cure).

John S. Hall explains This Fuckin’ Guy thusly: “I was on Governors Island, being interviewed for a feature in Vice, and I was in a kind of silly mood,” he says. “A dragonfly flew by, and I said, ‘Look at that fucking dragonfly,’ using that silly, Long Island accent. And later that day, I wrote a poem, ‘Dragonfly,’ in that voice. I wrote more and more poems in that voice and named the character This Fuckin’ Guy. I grew up in an Italian neighborhood in New York, and I wrote in the voice of my classmates or Long Island Italians. The accent isn’t authentic, although I’m half Italian. I only ever talk like that in jest. But I thought it was funny to have a guy who was flabbergasted by nature but cursed all the time as part of his natural language. I thought of This Fuckin’ Guy as a nature poet. The album reflects that.”

Check out the video premiere “here”:http://magnetmagazine.com/2020/08/21/magnet-exclusive-premiere-of-you-me-and-this-fuckin-guys-owls-video/

A song a day.

I’m expecting the next 75 days are going to be pretty rough for me.

Next week my youngest son (one of my four best friends, and I guy with whom I’ve been joined at the hip for a decade) is returning to college. He’s doing so amidst a sea of uncertainty and even danger, just a few weeks after I learned I lost a friend to the ravages of Covid. When one of my kids leaves, I wither with loneliness – but I’ve never had to deal with loneliness and _fear_.

This is happening while the president sits back and watches, literally doing nothing but creating more chaos, feeding crazy conspiracy theories to his base, and generally making it more difficult to contain the spread of this disease that, 75 days from now, will have killed 200,000 Americans. I’m terrified for my son – not just for the health hazards he’ll be facing every day, but by the way this disease has thrown his life into disarray, at a time when he should be thriving. I’m equally terrified for everyone else, and I’m fully aware that everyone’s anxiety is through the roof. I’m also perpetually angry that the important work being done by the BLM movement is suddenly being overshadowed by the election and by the reopening of schools.

Heading into the fall, I’m expecting the disease to return, or at least continue to create chaos. Nerves will be frayed everywhere, businesses that have squeaked by during the summer because they could set up outdoors will be forced to close, we’ll all have to retreat inside again as the weather gets cold. That lonely feeling we all had in March? I figure it’s coming back. I expect the anxiety that wracked me in the spring will return as well.

On top of all this, the election is going to be brutal. The campaign is going to be filled with mudslinging like we’ve never seen before, violently desperate attempts to cling to power, the obvious importance of the choice we have in front of us, my unending frustration with those that refuse to see how critical it is, the uncertainty of how it will end, and the even _greater_ uncertainty of what will happen if the right candidate wins. It will dominate every one of our minds, for the next 75 days. There will be no “off” switch; if you give a shit about the world around you, it will be impossible to pull your mind away from it.

I need something to do to take my mind off it all. And I also need something to do that makes me feel like I’m helping somehow. I suck at making phone calls (I did it for Obama and I hated it, and was clearly terrible). I’m really good at organizing benefit shows, but, umm, _there are no shows_. I’m not someone who can knock on doors – I just don’t have the ability to show up unannounced at your doorstep and tell you why it’s important that you vote for Joe Biden, even if he’s not your favorite guy. And again, I know I’m going to need to turn this horrid shitshow off for a while every day.

Tracy Wilson, the singer of Positive No, is a person I met a couple of years ago online. Tracy puts out a record, and part of the process involves not just writing the record, but writing about the record. Her band’s most recent album, _Kyanite_, was pretty excellent – and with each song, came a little narrative about the song’s meaning, some backstory, a few interesting anecdotes about what she was thinking. Tracy gets it; she understands that that stuff is still important, even though Positive No is not The Beatles in terms of screaming fans, clamoring for every tidbit she writes – she writes the stuff for herself, but also knows that there are people who actually do care.

Ten years ago, to fulfill a promise to my friend Rich, whose 2002 death sent me on a long hiatus from anything music-related, I wrote the story of my little record label, day by day, for a whole year, in a blog (which you can mostly still read). When I did that, I realized that something in my belief system was off: I thought nobody gave a fuck about Dromedary Records or the tiny circle of people in its orbit. What I learned was that _the people in its orbit gave a fuck about it_; it was important to them, and it was important to me. Writing that blog was fun, and a couple hundred people a day read it. We put out really good records, a few people care, and that’s more than enough in this polluted, war-torn mess.

So for the next 75 days, I’m going to take a page from Tracy’s playbook. Each day, I’m going to focus on a song that came out on Dromedary Records over the last 27 years. I’ll tell you something about the song, maybe an anecdote, a story about the band, or something. And then if you buy that song on that day, I will donate all the money to a different political organization. Each day I’ll tell you about the organization, so that if you don’t like the song, or if you don’t give a fuck about Dromedary Records, maybe you’ll consider making a donation on your own. Maybe you’ll share it with your own circle.

Each day I’ll post it in the Dromedary Records blog, as well as on Facebook and Instagram (I hate Twitter). So we’ll start later today, and we’ll continue until November 3. It’ll be cathartic for me to write, and maybe it’ll give you a few minutes each day to take your mind off the chaos, and listen to a song you’ve probably never heard before. I promise none of the anecdotes will be as long as this one!

-Al/dromedary

Out Now – Stuyvesant!

A new two-song lathe-cut picture disc by *Stuyvesant* is out today. Pick up “Bison,” the second in the Safari Card series, featuring “Miles On These Shoes” and “This is the End,” two brand-new blasts of sugar from the band *Big Takeover* calls “Hard-charging, fist-pumping, turbo-suburbo-rock.”

With artwork designed by former Stuyvesant bass player Brian Musikoff, “Bison” is available in the digital format of your choice, or as a limited-edition lathe-cut 7″. We only pressed 40 copies of these, and when they’re gone, there will be no re-presses, so if the physical, tangible piece of art has any degree of importance to you, GET YOUR COPY TODAY!

What?! New Stuyvesant? Preorder TODAY!

What?!

A new *Stuyvesant* single?

Yep. Allow us to introduce you to _Bison_, the next record in our limited-edition lathe-cut series, and the *second* in Stuyvesant’s “Safari Card” series. With artwork by our pal Brian Musikoff, recalling the old “Safari Cards” from when we were kids, this record features two new tracks – “Miles On These Shoes” and “This Is The End.” Both songs had become staples in the band’s live sets, when live sets used to be a thing.

_Bison_ will be out on Friday, August 7, in limited-edition lathe-cut format as well as all digital formats. Recorded and mixed by Mike Moebius at Moonlight Mile in Hoboken, “Miles” was mixed by Tom Beaujour at Nuthouse, and the whole enchilada was mastered by Alan Douches at West Side Music.

You can preorder your copy today!

OLD, CRANKY AND LOUD – Noisy pop music for weirdos like you.